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Contents, China Literature & Art Criticism, No.3, 2020


Special Feature

4 Poetics as a Source of Chinese Aesthetic Spirit/ ZHANG Jing

23 The Contemporariness and Historicity of Criticism: The Expectations for Young Critics/ WANG Yonghao


Special Planning•Studies on New Literary Phenomenon and Criticism

34 On the Influence of Micro Comment on Mass Culture/ GU Chunfang

44 Art Short Videos: Self-Aesthetics and Mass Entertainment / WANG Zhi & JIA Yuanyuan

54 Internet Literature: Turning Back To The Reality/ XU Miaomiao

65 The Changes of Media and Features of Literary Criticism/ ZHU Xiaojun


Theoretical Exploration

74 The Academic Foundation of the Construction of Literary Criticism Discourse/ ZHANG Bojiang

82 The Inspiration of Polanyi's "Two Kinds of Awareness Theory" on Music Performance/ JIANG Shanshan

92 On the Individual Presentation of the Integration of Art and Technology/ CHEN Jing


Creation Discussions

101 KE Jun: In Kunqu there is no Traditional and Contemporary/ Interviewed by ZHANG Zhiwei


Exclusive Interview

114 Self-Confidence, Self-Esteem, Self-Criticism and Learning From the Past, the Present and New Things: An Interview With the Opera Musician SHI Bailin/ Interviewed by FENG Dong


Inside Front Cover

Chinese Literary Critics: GUO Hancheng

Inside Back Cover

The Discipline Construction of Chinese Arts: Musicology and Dancology in Central Conservatory of Music

Academic leader: Yu Feng

Back Cover

The Introduction to Annual Excellent Works in the Fourth "Woodpecker" of Chinese Literature and Art Criticism: A Study on MEI Lanfang's Performance Aesthetics System




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